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Norse Mythology, by Neil Gaiman
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Introducing an instant classic―master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales.In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki―son of a giant―blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman―difficult with his beard and huge appetite―to steal it back. More poignant is the tale in which the blood of Kvasir―the most sagacious of gods―is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
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Product details
Hardcover: 304 pages
Publisher: W. W. Norton & Company; 1st edition (February 7, 2017)
Language: English
ISBN-10: 039360909X
ISBN-13: 978-0393609097
Product Dimensions:
5.8 x 1.1 x 8.6 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
1,916 customer reviews
Amazon Best Sellers Rank:
#6,347 in Books (See Top 100 in Books)
Some complain that when compared to Gaiman's other works, Norse Mythology falls a bit flat. The goal of this project was not to tell new stories, but to breath new life into the old stories. Gaiman stays true to the source materials and presents the stories of Thor and Odin and Loki and all of the Norse gods in a language that feels fresh and engaging. I've worked my way through the Prose Edda and the Poetic Edda and they are anything but an easy read. The prose of a millennia past is something of a hot mess. Gaiman has done all of the painful research for us and given us the old stories gift-wrapped in tight, modern language and a clarity and singular narrative that old Snorri Sturluson was incapable of providing. If you want new and exciting stories about Thor and the gang, pick up a Marvel Comic book or Rick Riodan's Magus Chase series. But if you have a genuine academic interest in the old Norse stories, you'll learn more from spending a day with Gaiman's Norse mythology than you will learn from spending a year sifting through the Prose and Poetic Edda and it will be a hell of a lot more fun.
This is genuine storytelling in the oral tradition. It is deliberately written as if you were listening to a grandmother telling the tale around the fire. Picture her waving her arms and leaning forward to emphasize a point, her voice going gutteral and silken interchangeably as she voices a giant or the Trickster Loki.A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."It is a great story, with a perfect comedic last line.I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.5 stars and a book to re-read with great pleasure!Happy Reader
First off, let me just admit that I'm a Neil Gaiman fan boy. I love everything he's written. I live his style, his humor, his language.The thing is...none of that's here. What we have is a more or less generic retelling of a few of the more famous Norse myths. If you're already familiar with them (which I am), then you'll find these retellings uninspired.I'd recommend this book to anyone who hasn't read any Norse myths. Its an adequate introduction. Otherwise, there's no real point in bothering.
I wanted to have a fun read of Norse Mythology. Neil Gaiman provides that. He starts where he should, which means you have to start like you are a 5 year old first listening to a fable by the fire light. You have to meet these characters somewhere. Just a little later you will get the fun stories and the logic, or lack thereof, of these characters and worlds will play into the structure provided in the first pages.There are no illustrations, leaving illustrated editions for some future artist. I appreciate this. I get to use my own imagination guided only by Gaiman's clear prose.The stories are clear and concise. There is very little plodding, even when plodding is the activity in the story.The book is properly designed. Great typeface, excellent page layout, nice weight to the paper. Unlike many current books your eyes don't trip on a minefield of typographical errors.This book is what it is, and that is a lot. It isn't Stardust, Coraline, or American Gods, and you should not expect it to be.
I bought this book right when it released at midnight and being hard to put down, I read it completely through the night. It was a fairly quick read but very enjoyable. As I recently read my first novel by Gaiman, I was interested in his writing style and intrigued to hear he would be retelling Norse Mythology.Coming into the book, I only knew the basics of Norse Mythology so I was excited to learn more about it. It is clear Gaiman has a great interest in the subject and he put a lot of care into it. These are stories that have been told over and over again and this is another retelling to pass through the countless generations these stories have survived.He retells the stories as chronologically as you can, and keeps the story flowing as it jumps around each chapter telling a new story and each story just as interesting as the last. The stories he chose were all fascinating, there wasn't a single one that was boring.If you want to find out more about Norse Mythology this is definitely a fantastic read and a good place to start.
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